Although well over 250 years old, Edinburgh’s New Town – a UNESCO Heritage Site – is a beautiful, if austere, collection of sturdy and uniform ranks of Georgian buildings. Rows of terraces and mansions clad in local grey sandstone are a physical embodiment of the Scottish Reformation. Refurbished by NYC-based architecture firm Grzywinski+Pons, Eden Locke is a new 72-room hotel with a café and bar that’s received a complete renovation and comprehensive fit-out. Celebrating its heritage details, the 18th-century Georgian mansion and its 20th-century extension was whittled down to its respective bones – and the chic new hotel created from there.
I love yellow. It’s my favourite – it’s happy, and it makes me happy. (And I’m blonde. Blondes look good in yellow.) American architect Richard Meier loves white. But in honour of the 100th anniversary of the De Stijl movement, his one and only building in the Netherlands has been painted in the style of Piet Mondrian.
I don’t know what rock I’ve been living under, but I’ve only just discovered Bar Luce, a Milanese café designed in 1950s Italian style by director of all directors, Wes Anderson.
We know the words, the reality has become customary: we live in a media saturated world. It’s a life of constant exposure to new brands, languages, ideals and innovations. We are spoilt with content. Overexposed. But sometimes, amidst the blurry haze of content, there comes a find so jarringly clear, and so unlike anything else, that one simply has to stop. In this case, it’s Isabelle Menin.